IO-2: Image Object Exhibition vol.2 Contemporary Daguerreotype Exhibition & Symposium
Contemporary Daguerreotypists Japan Committee organizes an international exhibition and symposium on contemporary daguerreotypy.
Contemporary Daguerreotypes (http://cdags.org) was an online collective of twenty-first-century daguerreotypists formed by Alan Bekhuis in 2008. In 2012, Bekhuis and the collective organized IO-1(Image Objects Exhibition vol.1) at the Penumbra Foundation, New York, featuring thirty-three daguerreotypists from sixteen countries. In 2020, with around eighty individuals from twenty countries as its members, the site ceased updating. It was a hub for discussing the medium and sharing technical information that provided an invaluable resource for those interested in the process. IO-2 aims to build upon the foundations laid by Bekhuis and reinvigorate the community with another outstanding international event.
IO-2: Image Objects Exhibition vol.2 official website
About the Exhibition
Care – Daguerreotype Today: In an Age of Uncertainty
→ Go To Exhibition Page
Photography for Resilience: History, Technology, and Art of Daguerreotype
Date: | October 30, 2021 7:00pm – 11:00pm (The eastern U.S.) (8:00am -12:00pm (Japan) Oct 31) |
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Venue: | Online | |
Registration: | https://bit.ly/3aBumUj | |
Mail:
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info@CDags.jp |
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Supported by: |
POLA Art Foundation Arts Council Tokyo (Tokyo Metropolitan Foundation for History and Culture) Nomura Foundation |
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In cooperation with: |
Japan Society for Arts and History of Photography, PGI
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Contemporary Daguerreotypists Japan Committee hosts an international online symposium “Photography for Resilience: History, Technology, and Art of Daguerreotype” in conjunction with the exhibition “Care – Daguerreotype Today: In an Age of Uncertainty” to be held at PGI, Tokyo.
The symposium aims to explore socio-historical aspects of the 19c daguerreotypy, and contemporary iterations of the process. The committee invites speakers to reflect upon how we can inform and produce alternative understandings of our today’s relationship to historical imagery.
[Recorded Presentations] *To be streamed from late-October | ||
Keynote Speech: | ||
- | ROMER, Grant B., Former Senior Conservator, International Museum of Photography at the George Eastman House |
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Film:
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ARAI, Takashi “Oshira Kagami: The Mirror of the Oshira Deity”(2018, 20min)
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SABOGAL, Camilo “Glass-daguerreotype Making (TBD)“ (2021, 10min) |
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[Live] October 30 19:00 – (EST) / 16:00 – (PST) / 23:00 – (GMT) / 9:00 – +1 day(AEST)
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Opening Address: ARAI, Takashi, Artist, Filmmaker |
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Session 1
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Chair: SATOW, Morihiro Professor, Faculty of Letters Department of Aesthetics and Theory of Arts, Doshisha University |
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19:10 (EST) |
ROBINSON, Mike, Daguerreotypist “The Techniques and Material Aesthetics of the Daguerreotype”
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19:40 (EST) |
ANDO, Chihoko “A Study on Acceptance of Photographic Practice by Shimadzu Nariakira at the Dawn of Japanese Photography” |
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20:10 (EST) |
10min Break | |
20:20 (EST) |
HAVINGA, Anne E., Senior photography curator at the Museum of Fine Arts, Boston ” “「ボストン美術館のダゲレオタイプ:歴史、記憶、課題」 |
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20:50 (EST) |
JACOB, John P, McEvoy Family Curator for Photography at the Smithsonian American Art Museum “(TBD)”「19世紀アフリカ系アメリカ人ダゲレオタイピストの発見とその衝撃(仮題)」 |
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21:20 (EST) |
15min Break | |
Intermission |
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21:35 (EST) |
Goan Daguerreotype Circle “Our Journey to the First Contemporary Daguerreotype in India (TBD)” (Talk, 5min)
「インド、ゴアより:インド初の現代ダゲレオタイプへの道(仮題)」 |
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SABOGAL & ARAI “From Bogotá through the Looking Glass (TBD)” (Talk, 5min) 「コロンビア、ボコタより:ガラス・ダゲレオタイプの可能性(仮題)」 |
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Session 2
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Chair: SATOW, Morihiro Professor, Faculty of Letters Department of Aesthetics and Theory of Arts, Doshisha University
Commentator: AOYAMA, Masaru, Professor, Osaka University of Arts
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21:50 (EST) |
Panel Discussion
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“Daguerreotype for Resilience”
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Panel |
FUSS, Adam SPAGNOLI, Jerry DANH, Binh TUFFIN, Craig ARAI, Takashi |
23:00 (EST)
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Closing Address | |
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